Kansky so otroci modernega zmnešanega časa. Zato ne čudi, da v trdo rockovsko nažiganje pogostokrat eklektično vpletejo tudi elemente iz ne prav ortodoksnih rockovskih sfer. Poskrbijo za razbijanje predvidljivih zvočnih pripovedi. Odpirajo si nov prostor in tako so brez večjih težav na prvencu preskočili uvodne, začetniške tegobe. Skupina Kansky ima že zrelo glasbeno govorico in ponudi tudi marsikatero presenečenje. /.../ Vse to dela njihovo godbo večplastno in onemogoči, da bi zapadla v enoličnost. V velikem loku zaobidejo šolske šablone in pogosto jim uspe naložiti sloj na sloj, kar še posebej poudari saksofon. Ta razbremenjuje in blaži udarnost zvočnega zida.

Kansky are children of the mixed-up modern age. No wonder, then, that their hard rock often incorporates elements from less than orthodox rock spheres which shatter predictable sonic narratives. They have created a new space for themselves and their debut recording managed to avoid the usual pitfalls associated with a first album. Kansky already have a very mature musical language and offer plenty of surprises. /.../ This gives their music many layers and prevents it from becoming monotonous. They give clichés a wide berth and instead manage to build up their music up layer by layer, something particularly emphasised by the saxophone, which softens the impact of the wall of sound.